I've learned alot from the Song-of-the-week personal challenge. Researching, preparing, and posting a new song every week helps you grow both knowledge and skill sets rapidly. I hope you can find a lesson or two from my journey that will help you on your musical path:
1. Recording
works wonders - the process of voice recording combined with systematic
problem-solving is an amazing way to realize rapid growth in guitar skills and
musicianship.
I’ve really learned through this
challenge that recording is indispensible practice tool. I’m sure that I’ve learned more skills and grown
in my musical and performance abilities more in the past 52 weeks than I have
in the previous 4 years all put together.
It is SO easy when we’re sitting on a comfy sofa in the cozy family room
strumming away, to fool ourselves into thinking that this sounds ‘pretty darn
good’. It is shocking to hear the
results when you set up a recording device – the video/webcam/recorder doesn’t
lie. That’s a bit painful at first, but
when you take that recording and methodically set about to ‘fix’ the sharp and ragged
edges – that’s when you see amazing results.
Honest self-analysis is painful and
harsh, but when it is combined with systematic, objective problem-solving –
practice sessions begin to pay off with huge dividends.
2. Learning songs gets easier - the process of
researching, preparing, and practicing a new song for performance becomes
easier, more efficient, and less time consuming the more frequently you do it.
I guess another way to say this is that
the process of working up new songs is a skillset in itself. The first few weeks were time intensive, but
the work-up process became easier as the weeks went by.
3. Research pays off - performing a new song
from memory alone is never a good idea.
It’s amazing how often I remember the
wrong melody or the wrong timing – and it usually sounds bad. This usually happened with the songs that we
play around the campfire – we think we know them, but we don’t often remember
them accurately. The voice recorder
doesn’t lie! I found that the more I
researched a song – checking a variety of artist renditions, studying sheet
music – the better the end result. This
is a classic case of a little short-term ‘pain’ for some long-term ‘gain’.
4. Listening is golden. – it’s not about
strumming patterns, it’s about listening to how you want the music to sound.
I’ve been finding that the more I listen
to the soundtracks of the songs I’m learning, the better I’m able to emulate
the desired sounds. It used to be all
about finding the right ‘strumming pattern’.
Now I just close my eyes and listen to the music and try to imitate it –
it really works.
5. Tone is in the left-hand technique – sloppy
fretting hand is a recipe for poor tone.
It is
essential to keep a constant and watchful eye on the left-hand. It’s so easy to get sloppy with technique, and
it’s important to have the fretting fingers up close to the frets, with all
strings sounding cleanly. I used to
think I had pretty good fretting technique until I started playing fingerstyle. Again, the recorder doesn’t lie. You don’t get ‘good tone’ with sloppy
fretting-hand technique – period. There
were many times I had to slow down the tempo in practice and use the ‘perfect
practice makes perfect’ principle. It’s
a bit tedious to have to be so careful and precise, but good tone demands it
for sure.
6. Variety is the spice of life – pre-plan it.
I used to just
strum away loudly and keep going at it until the song was done. A guitar teacher taught me years ago that I
need to vary the right-hand techniques and the volume/intensity between verses
in order to make the music interesting and appealing. The only problem was that the recorder
quickly showed me that I was introducing far less variety than I thought I was. Now when I’m working up a song, I carefully
pre-plan how I’m going to use variety, I practice it thoroughly, then I use the
recorder to double-check the result. The
result – more spice!
7. Breathing,
don’t just ‘do it’ – good breathing needs to be pre-planned too.
Some songs
are more forgiving of sloppy breathing than others, but songs like ‘Hallelujah’
and ‘Wreck of the Edmund Fitzgerald’ made me realize that I needed to pre-plan
the best spots to take a breath when I was working up the song. This has improved my musical phrasing, and
made things more fluid.
8. Pitches are
not just for baseball – accurate vocal pitches need to be practiced.
I am not a
trained vocalist. It’s important for me
to practice the pitch intervals in the songs that I’m learning, so that I am
spot-on pitch. When I don’t practice,
the pitch can be a little off. This is
increasingly important for unfamiliar songs, and for songs where the tempo is
fast and the interval notes have to be hit quickly and forcefully.
9. Vocal
independence – sing and let the guitar ‘fill in’.
I find it especially hard to have a smooth
vocal flow when I’m playing fingerstyle.
Perhaps it’s because I’m relatively new to fingerstyle, and strumming is
more my comfort zone. My tendancy is for
the vocals to sound stiff and child-like, almost like I’m trying to vocalize
based on what the guitar is doing (which is exactly what I’m doing). I found it helpful to practice the vocals
separately – a capella - and then later begin filling in the guitar very
softly. The more I’d practice a song, I could
gradually increase the volume of the guitar.
10. Tone is in
the Right-hand – ‘less is more’.
In the past,
I’ve been a fairly heavy-handed strummer.
That can work Ok when you’re accompanying a group of singers, but it
doesn’t always bring out the best tone. I’ve
come to learn that often less-is-more.
I’ll still do some strong strumming for variety, but I’m finding that
the more minimalist and gentle approach often coaxes out better tone from my
guitars.
My only
disappointment is that I was hoping to get a better handle on musicality in my
performances. I think the problem is
that the weekly challenge format is not really conducive to achieving the
ultimate musical product. A comment I
received on this was “maybe somebody should cover the SAME song for 52
weeks”
At least I
think I have a roadmap to success in musical excellence:
- master the technical aspects so you can let go and feel it;
- memorize the song so you don’t have to think about it;
- create a visualization or character so you can ‘tell the story’ better.
I’ve got a
long road ahead, but I’ve got lots of hope.
